About VanessaI was born in Kitchener, Ontario, and adopted by the Fraser family, raised in the township of Brantford in a small community by the municipal airport called Poplar Hills survey. I was always creative and artistic, seeing my world from a deeper perspective. It's not essential, but I hope to one day meet my biological family, to be able to know who I am and where I came from. |
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When did you decide to become an artist? |
In your experience, what's the best thing about painting? And the worst? Where do you turn to when you need to find inspiration? I always say the best thing about painting is when it is finished and I sign my name to the canvas. No, not in a self-centered way, but in a centered-Self way. As an adoptee it helps me to feel more grounded and self aware, like 'yes I actually do exist.' The worst thing for me is losing my train of thought, or worse than that, feeling too afraid to express a composition I fear may be offensive. My inspiration, again, comes from my adoption...anything that can express 'we are here', 'we have a name', 'we need to remember we are loved.' What moves you most in life, either to inspire or upset you? It kind of upsets me sometimes that I haven't found a mentor. What is the most important idea, issue, dilemma or thing that you want to address in your art? Adoption. It's like having one foot in another world and I haven't yet expressed this on canvas fully yet, you could consider that my future plans. There is a quote by the immortal artist Georgia O'Keeffe that has always stood out in my mind 'I found I could say things with color and shapes that I couldn't say any other way...things I had no words for.' Where did you train? I went to Mohawk College from 2001-2003 and did very well in Graphic Design. I found it was a great asset to my skills as an artist, and my artistic sense is also a great asset to my graphic design skills, and in my home-based freelance business I have found that they work very well hand in hand. When I was young, I enjoyed each and every summer art camp at Glenhyrst Art Gallery. It exposed me early to watercolor, oil pastel, leather-work and pottery. I have found that the Brantford Public Library has been a great help in studying various techniques in oil painting. Do you work from life, or from photographs or from imagination? All of the above. I have to be somewhat descriptive with this answer as I have created derivative portraits based solely on one photograph (used with permission of course), such as the portrait of Dr. Maya Angelou. I was totally moved by the photograph and the person encapsulated within it, and my purpose was to take the small 2"x4" black and white image and create a very large 30" x 43" oil portrait that was exactly the same as the photo in hopes to capture Maya's same strength, softness and resolve. I like to photograph my own reference material using a Nikon D50, which is more than adequate, but as much as I love the photographs it produces I don't see myself as a very good photographer. It could be that, for me, the photos never really capture what it was that I really saw. This is not to say that I cannot appreciate the true veracity of a photograph, it's just that as an artist I see things that aren't really there, but should have and could have been there. One way I get around this is to have a small sketch book always on hand. In my travels (as my good partner would say) I am often making notes and small sketches of things I see, if I don't then I'll forget. What are the assets of being a bicultural artist? Well for me it gives me an opportunity to express the Mulatto on canvas. I am Mulatto, and for me it began with some childhood emotional pain. But as an artist I have grown to see it as a gift, and this portion of my creative journey will hopefully bring similar hearts and minds along with me to a sense of healing and self discovery. |
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